Monthly Archives: October 2020

2020 Suite

"2020 Suite No. 1" - Carraher 2020

2020 Suite No. 1
2020.  Acrylic and ink on canvas, 11 x 14 in.

I’ve been working at a relatively rapid clip these last few months, with several pieces usually in process at once.  I’ve been frankly voracious in my need to make things happen in the studio, almost like needing a drug high – not surprising, I suppose, considering the sense of futility that drains so much of our lives at this time.

Having multiple pieces in progress contrasts with how I worked for many years in pastel.  In that medium I most often worked with the piece flat on the table, applylng the pastel with a brush, and due to the fragility of the surface I needed to keep a lot of clear space around.  So there wasn’t much room to have more than one thing going on at once.  These pieces also tended to take more time in the planning and preparation than the execution.  Here is an example from 2016, from the Additional Dimensions series which derived from gesture drawings of deteriorating homesteads in my neighborhood:

"Three Walls" - Carraher2016

Three Walls
2016.  Pastel on sandpaper, 12 x 22 in.

Clearly my work now often skips that planning and preparation stage, as I increasingly prize spontaneity directly on the substrate.  With pastels the spontaneity usually went into the informal gestural sketch from which the painting was developed.  I did draw directly with the pastels at times however – as in this homestead from 2007:

:Blue-Green Cabin" - Carraher 2007

Blue-Green Cabin
2007.  Pastel on paper, 18 x 24 in.

…or this one from the same year:

"Desert Gothic" - Carraher 2007

Desert Gothic
2007.  Pastel and charcoal on paper, 22-1/4 x 13-1/2 in.

Those seem like idyllic times, now, but of course they weren’t.  But they were easier.  They were easier.

The Path Forward

"Jul11" - Carraher 2019

Jul11
2019.  Acrylic and paper on panel, 14 x 11 in.

A favorite collage from last year.  It’s on a heavy wood panel and feels very stable and solid to me.  I guess I wanted that today.   The black and colored papers are from my cherished stash of ancient construction paper that I’ve had for many years.  The white/ecru bits are cartridge and typing papers, and there’s a slice of silver tissue paper, as well.

The design of the painted background is borrowed directly from a pastel I did at least 20 years ago that got damaged, but I’ve always liked the combination of colors and shapes.  So it showed up again here, in acrylic.

I love this piece.  It feels so stable and strong, I almost think I could stand on it.  A stepping stone into a better future.

bell poems

"Bell Poem No. 7" - Carraher 2020

Bell Poem No. 7
2020.  Acrylic on canvas, 20 x 10 in.

So yes:  “bell poems”.  When I started creating these canvases a couple months ago I wasn’t sure where they were going, and I’m still not, but the thought of them as bell poems has persisted.  So now they have titles. 

What do they have in common?  They all start as big calligraphic gestures in black on white.  Some then gain another color, and maybe some more white or black.  All on 10 x 20-inch canvases – some horizontal, some vertical.  This was the first: 

"Bell Poem No. 1 (Headlong)" - Carraher 2020

Bell Poem No. 1 (Headlong)
2020.  Acrylic on canvas, 10 x 20 in. 

The Charioteer

"The Charioteer" - Carraher 2019The Charioteer
2019.  Acrylic on canvas, 11 x 14 in.

An improvisation from 2019.  Reminding us to hold fast to our empowerment and to our hope.  To not let chaos overwhelm us but to push forward with our shared strength and the strength of our ancestors.   Stay strong, stay steady, my friends.