Line Turns into Shape

"Crystal No 3" - Carraher 2000

Crystal Form No. 3
2000.  Pastel on sandpaper, 7 x 6-3/4 in.

My interest in the mutable relationship of line and shape goes way back – how a line, if it wanders long enough, often creates a shape.  And then can wander away again.  It’s a very basic phenomenon, but it’s slippery nature keeps me intrigued.  It’s one of the reasons I worked with pastels for years, I believe – after all, the pastel is both an instrument of drawing, and of painting – of line, and of shape.  The piece above is typical of the way I worked with pastel for years, as is this one:

"Crystal No 4" - Carraher 2000

Crystal Form No. 4
2000.  Pastel on sandpaper, 7 x 6-5/8 in.

At the time I would apply the pastel to the sandpaper by scumbling and then smoothing the powdered pigment to varying degrees with a brush.  The line itself, in these examples, was painstakingly recreated with pastel pencil or charcoal from an original pencil sketch.  The nuances of the surface I was able to create, as well as line-becoming-shape-becoming line, kept me beguiled.  Still does.  The works I do now look different, but the evidence of the fascination is still in there.

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