2018. Acrylic and charcoal on canvas. 11 x 14 in.
I love working with charcoal, perhaps because I love working with line and a stick of charcoal makes line that is fast, direct, and highly expressive. The less wonderful part is that it is messy and easily smeared, attributes I had more than enough of while working with pastels for decades. The common remedy is spray fixative, which I used here and works well enough but I really don’t like it.
This painting is from early in my efforts with acrylic paint, and I learning a lot in working on it – lessons that have carried on into my work ever since. It was liberating to find I could use subtraction with acrylic paint in a way I really couldn’t with pastels – meaning I could take away or beat back something I didn’t like or that was too strong, or create openings over something that had already been figured with pigment. This allows me to work both forward and back, pushing and pulling, adding and subtracting, instead of every stroke being a largely irreversible commitment that I must work around.
In this case I used titanium white to paint over passages that I wanted to remove or sublimate/soften. If this work had been in pastel I could only have pushed a passage back by covering it with thick impasto and always been in danger of being “locked out”, i.e., the tooth of the paper being filled with pigment and unable to hold more layers.
Anyway, the overall experience was liberating and the lesson one of the more profound I have discovered in my transition from pastel to acrylic paint. Another lesson is…I still love working with charcoal. A brush filled with paint will never be quite the same.